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木野目优
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位于关东郊外的星见市。这里因为是「最适合观测一年一度的流星雨的城镇」而得到了这个名字。位于星见市的小型艺能事务所,星见Production。在那里迎来华丽出道的偶像·长濑麻奈,在偶像大战中连战连胜,转眼间就在偶像排行榜·VENUS PROGRAM当中一路直上。数年后,星见Production开办了发掘新偶像的选拔会。出现在那里的人,是麻奈的妹妹长濑琴乃,以及歌声与麻奈相似的川咲樱。以这两人为首,偶像志愿者陆续集合,星见Production变得活跃起来。集中于此的10人,开始了宿舍的共同生活。再加上立志超越麻奈的TRINITYAiLE,以及对麻奈抱有非同寻常竞争心的LizNoir都阻挡在她们的面前,胸怀荣耀地互相竞争。在围绕着麻奈的种种心意交错当中,偶像们朝着最高峰迈进。
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叶伟民
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马里奥(吴镇宇 饰)每天活得浑浑噩噩毫无斗志,一次偶然中,公司新人小雪(李嘉欣 饰)的出现吸引了他的目光,他与老板发哥(邹凯光 饰)打赌说自己能够在三天之内将小雪追到手。为了在博弈中获胜,马里奥欺骗小雪说自己患上了不治之症,而单纯善良的小雪果真渐渐落入了马里奥所设计的圈套之中。 小雪的父亲陈伯(黄一飞 饰)是一名经验丰富的医生,小雪将治愈马里奥的希望寄托在了父亲的身上。经过陈伯的研究和调查,马里奥的骗局被拆穿了,除此之外,他还发现发哥公司所贩售的丰胸药有着致癌的危险。得知真相的小雪感到十分手上,一个复仇的计划在她的心中诞生了。
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堤幸彦
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掌控日本国家未来的御前会议上,众要员商议着以猎杀SPEC持有者为目标的“SIMPLE PLAN”,神秘的法蒂玛第三预言亦被提及。数天后,暗中执行猎杀计划的政府成员突然于游艇上全员木乃伊化死亡。案件交由未详系的当麻纱绫(户田惠梨香 饰)和濑文焚流(加濑亮 饰)负责。调查途中两人接到志村美玲(福田沙纪 饰)的求救电话,赶赴救援时与濑文的前同僚兼前恋人青池里子(栗山千明 饰)不期而遇。当麻将美玲带回未详系,原本已经死去的阳太/一十一(神木隆之介 饰)竟从容现身于她们面前。竭力压制着蠢蠢欲动的左手,当麻无力的目睹美玲匆忙留下“一定要阻止法蒂玛第三预言”的信息后被阳太带走。 在阳太的恶意煽动下,普通人类与SPEC持有者间的矛盾日益激化。身处两者夹缝之中,当麻对法蒂玛第三预言和人类未来的走向充满了迷惑。玛利亚、白衣教皇、左手持火之剑的天使……预言中的关键人物们若隐若现,黑暗降临的未来是否终将无法避免?
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堤幸彦
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2009年,当麻纱绫(户田惠梨香 饰)和濑文焚流(加濑亮 饰)相识的前一年。在美国FBI学成归来的当麻被分在警视厅公安部公安第五课未详事件特别对策系,接受组长野野村光太郎的直接领导。此前不久,某大型石油企业高管接连被人杀害,死者的心脏无一例外都留下被人用手捏过的痕迹。显而易见,这一系列事件和所谓的SPEC持有者有着极为密切的联系。与此同时,石油企业高管Diablo(大杉涟 饰)高薪聘请神秘SPEC持有者一十一(神木隆之介 饰),企图阻挡神秘的SPEC杀手。一十一,这个日后与当麻和濑文有着不解渊源的难缠敌手将当麻视作杀害父母的爆弹女,之后更斩杀了当麻在美国结识的好友Nancy。 SPEC宏大篇章自此拉开序幕,决定世界命运的重大事件也进入了倒计时……
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堤幸彦
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经过与一十一(神木隆之介 饰)的恶战,濑文焚流(加濑亮 饰)身受重伤,命几不保。在此期间,青池里子(栗山千明 饰)随女儿小润(森山树 饰)悄然离开医院;而各国政要的一次关于简单计划的秘密会议上,自称卑弥呼的日本代表抹杀所有人,他代表SPEC持有者正式向普通人类宣战。世态险恶的当下,濑文急急出院,和当麻纱绫(户田惠梨香 饰)一同调查青池母女的行踪。而野野村组长(龙雷太 饰)则独自行动,查找简单计划病毒疫苗的下落。新的SPEC持有者交替登场,残酷的杀戮却从未停止。关于前人类的秘密昭然若揭,惨烈浩大的人种战争即将拉开序幕…… 本片为SPEC系列完结篇的前篇。
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郭正焕
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由顶级明星Rain(本名郑智薰)和李娜英首度联手的KBS2新剧《逃亡者》日前正式开机。电视剧《逃亡者》是一部集浪漫、喜剧、侦探、动作为一体的全新题材电视剧。Rain的票房号召力在好莱坞也得到认可,他的加盟让这部剧从开拍之初便成为热门话题。另外,女主角“真伊”由李娜英来扮演,让粉丝们更加翘首期待。这是李娜英自2004年出演MBC电视剧《爱尔兰》之后,时隔6年重返荧屏。既是名副其实的两位大腕级演员首度合作,又是一对“俊男美女”的碰撞,众多粉丝们关注着他们将以何种形象出现在荧屏上。 电视剧《逃亡者》第一场戏的拍摄从16日深夜至17日凌晨在首尔的某寺院进行。据制作公司透露说,为了让演员集中精神全力投入拍摄,没有对外公开拍摄日程。李娜英在这部作品中饰演清纯性感,具有神秘色彩的“真伊”。在拍摄当天,李娜英身穿凸显优雅美颈的黑色连衣裙,一头大波浪长发营造出了充满神秘感的魅力。她那高傲、锐利的表情,让观众对李娜英的全新荧屏形象充满了期待感。 另外,身手敏捷、性格开朗的“智宇”(郑智薰饰)在剧中挑战无人破解的一宗神秘案件。Rain一身光泽面料的西装,内搭白色针织衫,浑身散发着干练的时尚气息。在场的工作人员纷纷赞他不愧是天生“衣架子”。 剧组人士说:“尽管是第一天拍摄,但片场气氛非常愉快,演员们还互相开玩笑,所以拍得很顺利。” 这部剧相关人士说,除了首尔,《逃亡者》剧组还将远赴釜山,东京、大阪、上海、北京、澳门、香港和泰国、菲律宾的城市等等亚洲多个城市拍摄,还将上演惊心动魄的追逐战,目前已经有海外发行商提出购买要求。 电视剧《逃亡者》的情节非常有吸引力,剧中主人公相互隐瞒着走近对方,不知不觉得陷入了浪漫的爱情。《逃亡者》的导演和编剧分别是Gwak Jeong-hwan和Cheon Seong-il,这是两人继今年3月隆重落幕的KBS2台电视剧《推奴》后再次牵手合作的作品,将于9月末播出。
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《SUPER LOVERS》是根据阿部美幸创作的同名漫画改编的动画,由Studio DEEN制作。第一期动画于2016年4月6日起播出,全10话 。第二期动画《SUPER LOVERS 2》于2017年1月12日起播出。 被“母亲病危”的消息骗到海外的高中生海棠晴,在那里突然被介绍认识了是“你的弟弟!”的名叫海棠零的男孩子。 海棠晴拼命地照料着谁的话都不听的野生儿海棠零,而海棠零的身世似乎也是一个秘密,加之,在海棠零终于能开始亲近自己时,一场悲剧发生在海棠晴身上。 5年后,与长大了的海棠零再会的晴又将面临怎样的生活呢?
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呐,还记得吗?第一次接吻的那一天—— 从加拿大来到海棠家长男·晴的处所的四男·零,终于开始习惯同一屋檐下的生活,晴所经营的咖啡厅也步上正轨的某一天。 造访海棠家的晴的母亲·春子,对四兄弟宣言:“我要带着零回瑞士!” 好不容易拉近彼此距离的零与晴,由于这爆炸性的发言,产生分歧的次数增多了。 ——再一次发生麻烦事的预感!?
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被“母亲病危”的消息骗到海外的高中生海棠晴,在那里突然被介绍认识了是“你的弟弟!”的名叫海棠零的男孩子。 海棠晴拼命地照料着谁的话都不听的野生儿海棠零,而海棠零的身世似乎也是一个秘密,加之,在海棠零终于能开始亲近自己时,一场悲剧发生在海棠晴身上。 5年后,与长大了的海棠零再会的晴又将面临怎样的生活呢?
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Ishbel Hall
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In 2009, art detective Dr Bendor Grosvenor caused a national scandal by proving that the Scottish National Portrait Gallery's iconic portrait of Bonnie Prince Charlie, the rebel Stuart who almost seized power in 1745, was not in fact him. Keen to make amends, and suspecting that a long-lost portrait of the prince by one of Scotland's greatest artists, Allan Ramsay, might still survive, Bendor decides to retrace Charles' journey in the hope of unravelling one of the greatest mysteries in British art.
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Paul Dugdale
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Set list: 1) Start Me Up 2) It s Only Rock n Roll 3) Street Fighting Man 4) Ruby Tuesday 5) Doom And Gloom 6) Honky Tonk Women 7) You Got The Silver 8) Happy 9) Miss You 10) Midnight Rambler 11) Gimme Shelter 1 2) Jumpin Jack Flash 13) Sympathy For The Devil 14) Brown Sugar Encore: 15) You Can't Always Get What You Want 16) (I Can't Get No) Satisfaction
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In the late 16th century Europe was in the grip of a ferocious witch hunt, where thousands were tortured and burnt at the stake. The church was fully behind this terrifying crusade against the imaginary enemies of Christianity. In France and Germany alone up to 40,000 people may have been killed as witches. But England and Scotland were almost untouched by witch persecutions until King James himself decided to launch his own, personal war on witchcraft. In 1597 King James VI of Scotland published 'Daemonology', a handbook on how to recognise and destroy, witches. The book explored the threat that 'those Detestable slaves of the Devil', posed to James himself. It fuelled waves of witch hunting throughout Britain. The legacy of James' 'Daemonology' continued throughout the 17th century, and led to the torture and execution of hundreds of women in a series of infamous witch trials. No-one knows exactly how many men and women died in these trials, such as the Pendle trial of 1612, or how many others were killed in cases that never came to court. The documentary reveals the purges in many areas of Britain drew directly on King James' book. Also for the first time, remarkable new archaeological evidence from Cornwall, suggests that witchcraft was actively practiced for centuries, even during the most intense periods of witch-hunting. Experimental archaeologist Jacqui Wood has excavated strange pits lined with swan's feathers, and filled with animal skins and human remains. She believes the pits were ritual offerings inspired by witchcraft beliefs.
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Historian Dr Micheál Ó Siochrú presents award-winning director Maurice Sweeney’s gripping docudrama, which re-evaluates the role and character of England’s most influential democrat. Cromwell: God’s Executioner has drama, excitement and action, combined with a poignant reflection on the horrors of war. If you thought you knew Cromwell, think again.
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Katharina Kastner
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What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.